Recordings

Introduction to the exhibition Within Deep Time: scratching the surface of the antipode, presented by curator, Nina Stromqvist at the Blue Mountains Cultural Centre, May 25, 2019

Haines & Hinterding discuss their new work The Grounding Ungrounding, 2018 with curator, Nina Stromqvist. The work was commissioned for the screening program, Within Deep Time: scratching the surface of the antipode, at the Blue Mountains Cultural Centre, 2019.

Exhibition
Sörmlands Museum
4/10— 2019

This exhibition draws paralells between the depth and the surface, between what has happend inside the earth for hundreds of millions of years, with our experience right now on its outermost layer. Organised and co-curated with Joanna Nordin from Sörmland's Museum

Exhibition
Blue Mountain Cultural Center25/5 — 2019

Within Deep Time: Scratching the surface of the antipode

Within Deep-Time: scratching the surface of the antipode - the first ‘ showing’ of our underground research, where writers, curators and artists all came up for air to set in motion a set of unlikely strategies to connect the antipodes and underground realities of Sweden and Australia.

Sound

Conversations and recordings

Curator introduction: screening program, Within Deep-Time: scratching the surface of the antipode including the premier of David Haines and Joyce Hinterding’s new work The Grounding Ungrounding, 2018.

Text
by Bronwyn Bailey-Charteris

Fossils pose in museums and burn in our aeroplanes

Fossils pose in museums and burn in our aeroplanes. Figures from beneath our feet build the past, present and proclaim futures. As curators, it is urgent for us to share the work of these critical artists who attempt to understand this question of ‘what lies beneath our feet?’ Now the so-called Anthropocene has begun, how artists engage with geological thinking and concepts of deep time have become burning questions.

Text
by Nina Stromqvist

Entanglement in the far noth, published in A+A, 2019

Curator Nina Stromqvist set out to review the Gothenburg International Biennale of Contemporary Art in 2019, and took an unexpected turn downwards into the underground where she uncovers the entangled histories of her ancestors.

Review
by Nina Øverli

Djup Tid reviewed in Art+Australia, November 2019

Curator and writer Nina Øverli responds to the exhibition, Djup Tid, and working with ‘collaborative, inclusive, non-linear’ curatorial practice. This review essay is published in Art+Australia.

Contributors

Artists and Reseachers

Artists, curators, thinkers and makers, seaweed, stones, jellyfish and bones, Within Deep Time is held together by a constellation of humans and non-humans who like to think-together around deep time.

Related Deep Time

On looking Down …
(and other metaphorical digs)

Texts, research, links and resources.

This project has been assisted by
the Australian Government through
the Australia Council for the Arts
its funding and advisory body.

© 2019 WITHIN DEEP TIME

website by Emmeli Person

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