Djup Tid
Review by Nina Øverli
Installation view of Djup Tid at Sörmlands Museum, 2019. Photo: Valdemar Asp
‘It is rare to see a convincing curatorial strategy that can create and convey a continuous expansion of the potential of the same artworks into different constellations and contexts. This strategy for ongoing dialogue—between the co-curators and artists, the artworks and museum objects— that expands over time and geographical locations is exciting. It feels new because it is not in a rush to define itself or the artworks it exhibits, but instead embraces the potential for continuous change. This elasticity feels refreshing; it lets go of the notion of the singular ‘super-curator’ or ‘star’ artist. Let’s hope for more of this style of curating; collaborative, inclusive, non-linear, its geographical and temporal locations expanded, yet respectful and attentive enough to maintain and reflect key concerns of the different artworks involved.’ - Nina Øverli
Read the full article here
Read the full article here



This project has been assisted by
the Australian Government through
the Australia Council for the Arts
its funding and advisory body.
the Australian Government through
the Australia Council for the Arts
its funding and advisory body.
